About

Film Criticism is a peer-reviewed, online publication bringing together scholarship in

the field of cinema and media studies since 1975.


Volume 47 • Issue 1 • 2023

Feature Article


Introduction: Camera Movement and the Necessity of Criticism

Daniel Morgan and Jordan Schonig

2023-11-01 Volume 47 • Issue 1 • 2023

The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies

Adam Charles Hart

2023-11-01 Volume 47 • Issue 1 • 2023

The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s Dear Janice

Ryan Pierson

2023-11-01 Volume 47 • Issue 1 • 2023

Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party

Ariel Rogers

2023-11-01 Volume 47 • Issue 1 • 2023

Sex and Technics: Sexual and Spatial Orientations in Ma vraie vie à Rouen

Scott Richmond

2023-11-01 Volume 47 • Issue 1 • 2023

The Watch and the Sparkler: Time and Movement in Long Day’s Journey into Night (2018)

Patrick Keating

2023-11-01 Volume 47 • Issue 1 • 2023

Tales of Downward Mobility: Life of Pi and Virtual Camera Movement in Liquid Modernity

Kristen Whissel

2023-11-01 Volume 47 • Issue 1 • 2023

Not Done Being Over: Death and the Trouble with Understatement

Eugenie Brinkema

2023-11-01 Volume 47 • Issue 1 • 2023

Film & TV Review


Nostalgia, Remembrance and Crises in an Evolving Streaming Media Industry

Sheri Chinen Biesen

2023-11-29 Volume 47 • Issue 1 • 2023

A United Korea (Or, the Great Divide): Crash Landing on You

Doyle Greene

2023-11-29 Volume 47 • Issue 1 • 2023

Film Festival Review


Festival Aesthetics Amidst Festival Politics

Marc Raymond

2023-11-01 Volume 47 • Issue 1 • 2023