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    X,1 Articles on Kazaan, Godard, Agee, Leon

    X,3 Retrospectives on Hitchcock, Wajda

    XI,1-2 Special Tenth Anniversary Anthology Issue

    XI,3 Film Noir, Leave Her to Heaven, The Reckless Moment, Despair

    XII,3 Wiseman’s Welfare, Szabo’s Mephisto, Pasolini’s Pigsty, Schlondorff’s Swann in Love

    XIII,2 Special Issue on Feminist film critisism, edited by Janice Welsch

    XIII,3 Providence, Forbidden Planet, Cries and Whispers, Acting Styles

    XIV,1 Anna Magnani, Pasolini, Music in The 400 Blows

    XIV,2 The Big Clock, Gabriela, children in Cinema, interviews, book reviews

    XIV,3 Special Issue on Psychoanalysis and Cinema, editied by Sonya Jones

    XV,1 Special Issue on Modern British Cinema, edited by Luciana Bohne

    XV,2 Pasolini’s Theory and Practice, Modernist Films by Ackerman, Duras, and Rocha, Kings of the Road, La Soufriere, The King of Comedy

    XVI,1-2 Special Double Issue on British Cinema, 1900-1975, edited by Wheeler Winston Dixon

    XVI,3 Disney and Warner Bros. animation, female narration, Swing Time, Wings of Desire

    XVII,1 Cavalier’s Therese, Albert Brooks, Kricfalusi interviews, books

    XVII,2-3 Special Double Issue on “Interpretation, Inc.”: Issues in Contemporary Film Studies, edited by David Bordwell

    XVIII,1 Kuleshov’s Mr. West, Kurosawa’s early thrillers, Thelma and Louise

    XVIII,2 Central American Cinema

    XVIII,3-XIX,1 Special Double Issue on Fred Zinnemann, edited by Arthur Nolletti, Jr.

    XIX,2 Vertigo, Naked, Days and Nights in the Forest; Eisenstein and Woody Allen

    XIX,3 The New Auteurism: Egoyan, van Ackeren, Holland, Pasolini, Scorsese

    XX,1-2 Special Double Issue on New Film Theory, edited by Wheeler Winston Dixon

    XX,3 Special Issue on the Western, edited by Michael Vella and Luciana Bohne

    XXI,1 Blade Runner, The Bicycle Thief, Scarlet Street, British B-Films

    XXI,2 Special Issue on Post-Communist Cinema, edited by Andrew Horton

    XXI,3 Basic Instinct, The Big Heat, feminist and gay male spectatorship, remakes, Trinh T. Minh-ha interview

    XXII,1 Special Issue on Genre, edited by Christopher Orr

    XXII,2 Hitchcock’s Silent Films, Schindler’s List, The Decaloque

    XXII,3 Early Avant-Garde, Le Mepris, Bound, books

    XXIII,2-3 Special Double Issue on Douglas Sirk, edited by Gerd Gemunden

    XXIV,1 John Woo, Elvis, Henry Fool, The Full Monty

    XXIV,2 Leigh’s BBC Films, Rope, To Live, Syberberg on Adolphe Appia, books

    XXV,1 The Thin Red Line, Une Femme Est une Femme, Regeneration, Cain and Noir

    XXV,2 Wong Kar-Wai, Australian films in America, Bazin on film technique, books

    XXV,3 Special issue on New Zealand Cinema, edited by Andrew Horton

    XXVI,1 Return of Martin Guerre/Sommersby, Stage Fright, Crouching Tiger, Hidden Dragon, books

    XXVI,2 Being John Malkovich, To Be or Not To Be, La Nouba

    XXVI,3 Film gris, Mississippi Burning, Interview with Budd Boetticher, books

    XXVII,1 Special Issue on Contemporary French Cinema, edited by Walter Metz

    XXVII,3 The Matrix, In Praise of Love, A-Bomb Films, books

    XXVIII,1 Fight Club, Reflexity of the road film, Dixon interview

    XXVIII,2 Boys Don’t Cry, Dark City, Minority Report

    XXVIII,3 I Could Read The Sky, Fish and Elephant, The Face of the Bandit

    XXIX,1 Fear and Desire, One-Eyed Jacks, Monster’s Ball, Janet Staiger on Gus Van Sant, books

    XXIX,2 Manchevski’s Before the Rain and Dust, Cronenberg’s special effects, Greenaway interview

    XXIX,3 Spirited Away, Roman Polanski, Jack Hill interview, Cannes Festival Report

    XXX,1 Band Wagon, Burt Reynolds, Sergi Lopez, Dardenne Brothers interview

    XXX,2 Reviews of Bonnie and Clyde, Terrance Fisher’s Crime Films, Beefcake

    XXX,3 Soldier of Orange, Serbian cinema, D. Ross Lederman’s films, Berlin Film Festival Report

    XXXI,1-2 Special double issue on Complex Narratives, edited by Janet Staiger

    XXXI,3 Brokeback Mountain, The Girl of Your Dreams, Open Water, Cannes 2006

    XXXII,1 Special Issue on Digital Visual Effects and Popular Cinema, edited by Kristen Whissel

    XXXII,2 Radiography and Film Noir, Renoir’s 1930s Cinema, 3:10 to Yuma (1957), Cannes and Berlin festival reports

    XXXIII,1 The Hole, Gun Crazy, and Alphaville

    XXXIII,3 L’Age d’Or, Deja Vu, Theives’ Highway, Berlin Festival

    XXXIV,1 Man With a Movie Camera, The King of Comedy, The State I am In, Marianne and Juliane, Hal Hartley, book reviews

    XXXIV,203 Special Double Issue on Romanian Cinema

    XXXV,2-3 Special Double Issue on Kore-eda; edited by Arthur Nolletti, Jr. N

    XXXVI,1 Jia Zhangke’s 24 City and I Wish I Knew, Kubrick’s 2001, Antonioni’s Blow-Up, Berlin Festival

    XXXVI,2 No Country for Old Men, Pulse, S.A. Truth and Reconciliation Films, Bryanston Noir of 1960s

    XXXVI, 3 Academic Criticism and German Cinema, Persona and Adaptation

    XXXVII, 1 Inland Empire, Dog Day Afternoon, De Sica

    XXXVII, 2 The Girl with the Dragon Tattoo, Kiarostami's Shirin, A Film Unfinished

    XXXVII, 3-XXXVIII, 1Special Double Issue on 3-D Cinema

    XXXVIII, 2 Ecocriticism and The Thin Red Line, Japanese Melodrama and Crying Out Love, In the Center of the World

    XXXVIII, 3 Masculinity in Gran Torino, Rubble Films from Berlin and Munich

    XXXIX, 1 Special Issue on the Cahiers Critics in Arts

    XXXIX, 2 Special Issue on Cinematic Identification

    XXXIX, 3 Kuhle Wampe and Monsieur Verdoux, Shirley Temple, Tony Scott and Post-Classical Hollywood